"Death on brudershaft" - the name of a cycle from 10 stories in the experimental genre "novel cinema" urged to combine the literary text with visuality of a cinema.
Russia on a threshold of great and heavy war which over time received the name of World War I.
For now only intense expectation of army and active work of counterintelligence which has to track down and destroy the German agency trying to take control of the plan of expansion of the Russian troops.
Pleasant easy reading matter without special claims for historical reliability and a serjyoznost, but it is fascinating transferring the atmosphere of that time.
The twirled plot which not only you watch with interest, but it is not less interesting also most "to untwist" it, to put forward own theories.
The main characters - quite in style of the author. The baby - something is similar to young Fandorin, and the Devil - cunning, resourceful, but also not deprived of charm.
Two main characters: Russian counterspy and German professional spy. In the beginning all advantages at German Sepp von Teofels because he is a master and the expert, and Alexey Romanov - an unfledged baby bird.
Well, generally, the devil contacted the baby. Two brilliant heroes, two great empires smother each other in deadly embraces...
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